Dacă despre tabloul românesc nu au găsit nimic pe net, despre cel dublinez am mai aflat căte ceva și o să copiez cine a acceptat să fie model pentru acel mural. Textul e în engleză.
Muralul din Dublin:
DUBLIN'S LAST SUPPER: A new artwork by John Byrne
Reflective of a changing society and the growing cultural mix in Dublin, Byrne sees Dublin's Last Supper as an expression of "positive politics and his faith in ordinary people". Amongst its messages is the suggestions that neither institution nor religion - in this case Christian - has a monopoly on goodness.
To assemble the apostles,
Byrne walked the City and approached people asking them "if they
would like to partake in the Last Supper'. The final selection,
dressed by the artist in emblematic garments, could - without these
garments - represent a cross section of people encountered in any ordinary
day in the City's streets. The thirteen, from left to right, are:
Bartholomew: Jude O Dochartaigh, tattoo artist; James the
Less: Vernoica, librarian; Andrew: Eddie Salim, from east Africa;
Judas: Frank Conlon, actor and drama facilitator; Peter: Henry;
John: Julie Kerrigan, employee at Pavee Point Travellers' Centre;
Jesus: Kulpreet Singh, PhD student at Trinity College, Dublin;
Thomas: Willie Crowley, ecologist; James the Great: Leighton,
student at Cornell University; Philip: Diana Sabogal, student
at the American College, Dublin; Mathew: Alan Kavanagh, architecture
student at DIT, Dublin; Thaddeus: Aloysius McKenna, building
worker; Simon: Michael Foley, network analyst. And the extra
hand behind Judas is that of Jonathan Hession, photographer.Reflective of a changing society and the growing cultural mix in Dublin, Byrne sees Dublin's Last Supper as an expression of "positive politics and his faith in ordinary people". Amongst its messages is the suggestions that neither institution nor religion - in this case Christian - has a monopoly on goodness.
Originalul lui Leonardo Da Vinci.
Parodia românească, unde puteți observa că mai toate personajele, foarte tinere în tablou, sunt încă prezente în viața politică, chiar dacă unii se află la răcoare..
Și originalul, pictat de Iacoppo Bassano, în 1542.
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